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2026 FINALIST

Steve Forster

b.

1983

Boston, Massachusetts, United States

Currently based  in

Glen Cove, New York, United States

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Caleb Clark.jpg

Ophelia, 2026
Oil on Panel
38 x 24

Oil on Panel

Ophelia sits in that uneasy space between what is felt and what can be held onto. The model who sat for the painting is Dunya, a woman shaped by a war-torn homeland where life moves in uneasy cycles of loss and return, never fully settling into stillness. She drifts like Ophelia, suspended between memory and forgetting, her presence both physical and distant. Poppies pass quietly through the scene, carrying traces of sleep, grief, and the soft pull of oblivion.


At the same time, the painting reflects something closer to us. We, too, are suspended – living partly in the physical world and partly through screens, inhabiting a digital layer that blurs what is immediate and what is mediated. In Dunya’s stillness and drift, that shared condition emerges: a life lived between worlds, always shifting, never entirely anchored.


Steve Forster studied at the Florence Academy of Art in Italy and received his MFA from the New York Academy of Art. He is Co-Director of the Long Island Academy of Fine Art and teaches painting at the New York Academy of Art.

38 x 24

Caleb Clark.jpg

Click artwork to view details (it may take a few seconds to load)

Ophelia, 2026
Oil on Panel
38 x 24

Ophelia sits in that uneasy space between what is felt and what can be held onto. The model who sat for the painting is Dunya, a woman shaped by a war-torn homeland where life moves in uneasy cycles of loss and return, never fully settling into stillness. She drifts like Ophelia, suspended between memory and forgetting, her presence both physical and distant. Poppies pass quietly through the scene, carrying traces of sleep, grief, and the soft pull of oblivion.


At the same time, the painting reflects something closer to us. We, too, are suspended – living partly in the physical world and partly through screens, inhabiting a digital layer that blurs what is immediate and what is mediated. In Dunya’s stillness and drift, that shared condition emerges: a life lived between worlds, always shifting, never entirely anchored.


Steve Forster studied at the Florence Academy of Art in Italy and received his MFA from the New York Academy of Art. He is Co-Director of the Long Island Academy of Fine Art and teaches painting at the New York Academy of Art.

38 x 24

Oil on Panel

Caleb Clark.jpg

Click artwork to view details (it may take a few seconds to load)

Ophelia, 2026
Oil on Panel
38 x 24

Oil on Linen Mounted on Cradled Panel

25 x 30

Ophelia sits in that uneasy space between what is felt and what can be held onto. The model who sat for the painting is Dunya, a woman shaped by a war-torn homeland where life moves in uneasy cycles of loss and return, never fully settling into stillness. She drifts like Ophelia, suspended between memory and forgetting, her presence both physical and distant. Poppies pass quietly through the scene, carrying traces of sleep, grief, and the soft pull of oblivion.


At the same time, the painting reflects something closer to us. We, too, are suspended – living partly in the physical world and partly through screens, inhabiting a digital layer that blurs what is immediate and what is mediated. In Dunya’s stillness and drift, that shared condition emerges: a life lived between worlds, always shifting, never entirely anchored.


Steve Forster studied at the Florence Academy of Art in Italy and received his MFA from the New York Academy of Art. He is Co-Director of the Long Island Academy of Fine Art and teaches painting at the New York Academy of Art.

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